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Leica M9 Digital Rangefinder Camera - Page 10
 
Copenhagen Fashion Week - Henrik Vibskov show backstage
   
 
   

Leica M9 Digital Rangefinder Camera - Page 10

Index of Thorsten Overgaard's user review pages on Leica M9, Leica M9-P, Leica M-E, Leica M9 Monochrom, Leica M10, Leica M10-P, Leica M10-D, Leica M10-R, Leica M10 Monohcrom, Leica M11, Leica M 240, Leica M-D 262, Leica M Monochrom 246, Leica SL, Leica SL2, Leica SL2-S, as well as Leica TL2, Leica CL, Leica Q, Leica Q2 and Leica Q2 Monochrom:
Leica Digital Camera Reviews by Thorsten Overgaard
Leica M11 /M11-P 1 2 3 4 5 6 7 8                          
Leica M10 / M10-R
1 2 3 4 5 6 7 8                         Video
Leica M 240
P 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44            
M 246 Monochrom 26 27 28 29
30
31      

                     
Leica M-D 262 1 2                                        
Leica M9 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20   M9-P
M Monochrom 20 21 22 23 24 25      

                     
Leica SL / SL2 1   3   5 6 7                              
Leica SL3 1                                          
Leica Q 1                                          
Leica Q2 / Q2M 1                                          
Leica Q3 1 2                                        
Leica TL2 1 2                                        
Leica CL 1 2                                       Books

Copenhagen Fashion Week from the viewpoint of the Leica M9

By: Thorsten Overgaard

 

When I covered the Copenhagen Fashion Week Autumn & Winter 2010 in February I carried the Leica M9 for backstage and off-runway photographs, and it did really well. Often there's a Leica M amongst the cameras in the fashion week, but they're never really used for the runway photographs: It's usually 60 models walking the catwalk during 15-20 minutes and you can either shoot them moving or when the model stop and face the cameras for a brief second or two. So the most used equipment is a 70-200mm zoom, or sometimes more wideangle if the catwalk is ending really close to the photographers.

 

 

For most of us it's a machine: We ride with the VIP Press Bus or in VIP vans with a driver, from show to show with a new show each hour from midday to midnight. We usually arrive just before the show start, shoot for 20 minutes, leave as the last model leaves the runway, hurry to the next show while we empty memory cards, then enter the next show. Quite many of the shows are in the same three or four venues, so we return in 3-4 hours why the light is seldom a surprise (3200 Kelvin in most cases). Some times a show is in an exotic location, and sometimes with mixed light and follow-spot.

It goes like that for four-five days. Some photgraphers do a handful of shows, others do all 40-45 shows. And some photographers have an assistant to edit the photos during shows. I have everything made ready between shows and then edit and send all the shows to Getty Images and WireImage after midnight.

 

Runway photo with Leica R8/DMR
A model shot with my usual runway equipment, the Leica R8/DMR and the 35-70mm Leica Vario-Elmarit-R f/2.8 at 200 ISO on a monopod. The monopod to ensure similar results and for arm rest.

 

I shoot shows with the Leica R8/DMR and the 35-70mm Leica Vario-Elmarit-R f/2.8 at 200 ISO on a monopod. I did consider if I could actually shoot it all on the Leica M9. Because of the in and out of venues a small handy equipment would be nice, and I sort of have an issue with equipment sizes these days. If I could use an M9 with just one lens and travel with one suit, I would. And I might. I have actually managed to shoot whole fashion weeks with the Leica Digilux 2. It doesn't require a fast buffer, and it doesn't require a fast AF, because the rhythm is quite predictable and you anyways want all the shots to look similar.

So that means you should shoot the models in the same spot each time. You hear some shoot all the way up the runway but it's really just a lot of editing and decisionmaking yiu make for your self then: The runway shots are for fashionistas, editors, writers and other designers to look at to see the dresses. They're not art; they just have to be clear, true colors and easy to 'read.'

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Anyways, I did try to shoot some with the Leica M9 but I didn't have the courage to trust the focusing. I'm sure it's possible, but I took the safe way this time. I might give it a shot the next time. However, I did shoot a lot backstage and off-runway, and the Leica M9 simply shines for that purpose. I'll basically just let them speak for them self. The settings are very easy: Leica M9 with 50mm Summicron-M f/2.0 @ f/2.0 (I'm totally in love with its uncoated handling of light, and if you notice, you will see that I tend to try to get a lamp or two beaming into the lens from the background to crate that effect), 800 ISO, manual white balance, compressed color DNG along with black and white JPG, all edited in Lightroom 2.6 (with the beta profile from Lighroom 3.0).

 

 
 

 

 

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

 

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

         
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Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
A 10% crop of the 100% image. Details are amazing in terms of lens and sensor. The "noise" at 800 ISO is definitely in family with good old film!



Leica M9 test photos - Copenhagen Fashion Week backstage
I like this for many resons. It's Henrik Vibskov himself visiting the models backstage. I'm outside with some of the models having a smoke. I shoot to get all the sheets with previews of the collection, and the wind blows up one sheet revealing a bit more of Henrik Vibskov.

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
It's small spaces and a lot of work goes into the details - on 20-30 models within a very short time range. Most of the models arrive (late) from the previous show totally styled and then needs to get ripped off of that style and given a new.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Again a crop of the original file.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
I love the colors and bokeh in this one. It basically tell the color theme of the show in one image.

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
One of the most succesful Danish designers, Stine Goya, being prepared for the stage as well.

 


The fashin week has it's own daily paper, the Dansk Daily.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
One of the shows not involving a runway: The NOIR show presented undressed models dressing in front of the exclsuive audience. And awkward but interesting scene.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Backstage from the Gudrun & Gudrun show, the über-trendy Faroe Islands brand.

 

 

AURA Leica M9 test photos - Copenhagen Fashion Week backstage
German/Danish/Faroese singer-songwriter AURA dressed in Gudrun & Gudrun before entering the runway to sing for the audience.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
AURA again, with an interesting hat

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Fashion editor and television celebrity

 

         
 

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Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 


Models ready to enter the runway wearing the Margit Brandt of Copenhagen collection

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Styling 5-10 shows inthe fashion week. At this stage you can tell by his expression ...

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Using steam to fix the folds. In many ways it looks like a Formel 1 pitstop.

 

 

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
A look into one of the smalles drewwing rooms in the fashion week. 20 M2 I guess.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
First row is mostly fashion writers. This year the television stations did docusoaps about some of them, as this young fashion blogger.

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Not only the photographers use cameras. Loads of bloggers, but also a lot of fashion writers use cameras to 'remember' the dresses. In this photo there's a live television interview going on in the background during the show.

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Can't make that in Photoshop. With the 50mm Summicron-M you make them all the time.

 

Leica M9 test photos - Copenhagen Fashion Week backstage

 

Leica M9 test photos - Copenhagen Fashion Week backstage
The fashion queen (center) with Minister of Culture and others. She's not really a queen but the director of the Copenhagen Fashion Week and the reason it has flourished the last 10 years.

 

Leica M9 test photos - Copenhagen Fashion Week backstage
Front row is conveniently filled with celebrities

 

Leica M9 test photos - Copenhagen Fashion Week backstage
And one last one where the focus was on me.

 

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Index of Thorsten Overgaard's user review pages on Leica M9, Leica M9-P, Leica M-E, Leica M9 Monochrom, Leica M10, Leica M10-P, Leica M10-D, Leica M10-R, Leica M10 Monohcrom, Leica M11, Leica M 240, Leica M-D 262, Leica M Monochrom 246, Leica SL, Leica SL2, Leica SL2-S, as well as Leica TL2, Leica CL, Leica Q, Leica Q2 and Leica Q2 Monochrom:
Leica Digital Camera Reviews by Thorsten Overgaard
Leica M11 /M11-P 1 2 3 4 5 6 7 8                          
Leica M10 / M10-R
1 2 3 4 5 6 7 8                         Video
Leica M 240
P 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44            
M 246 Monochrom 26 27 28 29
30
31      

                     
Leica M-D 262 1 2                                        
Leica M9 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20   M9-P
M Monochrom 20 21 22 23 24 25      

                     
Leica SL / SL2 1   3   5 6 7                              
Leica SL3 1                                          
Leica Q 1                                          
Leica Q2 / Q2M 1                                          
Leica Q3 1 2                                        
Leica TL2 1 2                                        
Leica CL 1 2                                       Books

 

Thorsten von Overgaard
Thorsten Overgaard's Leica Article Index
Leica M digital camera reviews:   Leica L digital cameras:
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Leica M11-P   Leica SL2
Leica M11 Monochrom   Leica SL2-S
Leica M10   Panasonic Lumix S5 II X
Leica M10-P   Panasonic Lumix S1R
Leica M10-R   Leica SL3
Leica M10-D   Leica TL2
Leica M10 Monochrom   Leica CL
Leica M9 and Leica M-E   Leica L-Mount lenses
Leica M9-P    
Leica M9 Monochrom   Leica R digital cameras:
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Leica M246 Monochrom    
Leica MD-262 and Leica M60   Small Leica mirrorless digital cameras:
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    Leica Q2 / Leica Q2 Monochrom
Leica M film cameras:   Leica Q
Leica M6   Leica V-Lux
Leica M4   Leica C-Lux
Leica CL /Minota CLE (1973)   Leica D-Lux
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Leica M lenses:   Leica Digilux 2
Leica 21mm Summilux-M ASPH f/1.4   Leica Digilux 1
Leica 21mm Leica Super-Elmar-M ASPH f/3.4   Leica Digilux
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Leica 28mm Summilux-M ASPH f/1.4   Leica R film cameras:
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Leica 35mm Summicron-M ASPH f/2.0   Leica R4
Leica 35mm APO-Summicron-M ASPH f/2.0   Leica R3 electronic
Leica 50mm ELCAN f/2.0   Leicaflex SL / SLmot
Leica 50mm Noctilux-M ASPH f/0.95 FLE   Leica compact film cameras:
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7artisans 50mm f/1.1   Leica R lenses:
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Leica 50mm Summicron-M f/2.0 "rigid" Series II   Leica 35mm Elmarit-R f/2.8
Leica 50mm APO-Summicron-M ASPH f/2.0   Leica 50mm Summicron-R f/2.0
Leica 50mm Elmar-M f/2.8 collapsible   Leica 60mm Macro-Elmarit f/2.8
Leica 75mm Noctilux-M ASPH f/1.25   Leica 80mm Summilux-R f/1.4
7artisans 75mm f/1.25   Leica 90mm Summicron-R f/2.0
Leica 75mm Summilux-M f/1.4   Leica 180mm R lenses
Leica 90mm Summilux-M ASPH f/1.5   Leica 250mm Telyt-R f/4.0
Leica 90mm APO-Summicron-M ASPH f/2.0   Leica 400mm Telyt-R f/6.8
Leica 90mm Summarit-M f/2.5   Leica 35-70mm Vario-Elmarit-R f/2.8
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Above: From backstage the Henrik Vibskov show. All the models had their fingers painted and walked around for half an hour with their hands like that. Leica M9 with 50mm Summicron-M f/2.0, 800 ISO.

 

Leica reviews by Thorsten Overgaard. LEICA = LEItz CAmera. Founded 1849 in Wetzlar, Germany. Leica logo in photo by Thorsten Overgaard

LEItz CAmera = LEICA
Founded 1849 in Wetzlar, Germany.

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Thorsten Overgaard
Thorsten von Overgaard is a Danish-American multiple award-winning photographer, known for his writings about photography and Leica cameras. He travels to more than 25 countries a year, photographing and teaching workshops to photographers. Some photos are available as signed editions via galleries or online. For specific photography needs, contact Thorsten Overgaard via email.

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