Your browser does not support script Thorsten Overgaard's Leica Photography Pages - The Story Behind That Picture - "I never look good in pictures"
Thorsten von Overgaard's Photography Website
  Get Newsletter & Free eBook  

The Story Behind That Picture - 26
SIGN IN to Overgaard Academy on-line classes Subscribe for full access. It's free.           thorstenovergaard on Instagram Thosten von Overgaard on Facebook Thorsten von Overgaard on Twitter Thorsten von Overgaard on LinkedIn Thorsten von Overgaard on Flickr Thorsten Overgaard on YouTube Thorsten Overgaard video on Vimeo Thorsten von Overgaard on Leica Fotopark Thorsten von Overgaard on 500px    
Mette Bjerregaard Nørkjær

The Story Behind That Picture:
"I never look good in pictures"

By: Thorsten Overgaard

A series about portraiture and life at large - Part II (Part I can be read here)

In photographing portraits it's all about capturing the person herself or himself. It's actually a long story, and I won't make it short. Instead I'll cut it into pieces so as to be able to entertain both of us with this subject over the coming weeks.


I have my own little secret statistic in that I find joy in each person who selects one of my portraits of them as their profile picture on Facebook. The reason is that you would only use a portrait of yourself if you really liked it. That's why.

I can't think of any other reason to take a portrait of a person than to make that person happy about him self or her self. Yet so many pictures are taken and put on display that mock others. Whenever somebody drops the popcorn on the floor or tries to eat a real big burger, “friends” consider it a photo opportunity and take a photo for mutual "amusement". There's a lot of that type of photographs around, and what's fundamentally wrong with them I'll get back to in a moment.

But also many professionals like to take incredible sharp photos of wrinkled people, or try to put sorrow or other emotions into people and situations, where such feelings actually does not exist. The result may be strong images, but not the type of images you would necessarily be proud of being in.

Hence there are plenty of opportunities to be caught in photographs that make "I never look good in photographs" a perfectly true statement.

Or "I never look like my self in photos," is another one I hear a lot.

So what is it that a photo has that make it a great photo – in your own and others opinion? It's when you are your self in that photo.

It took me a couple of years to figure out that when people asked "what do you do to look people so natural in your photos" and I said "nothing," that I was in fact carrying a secret.

What I do is actually nothing and that is the key to making it natural. I let people be them self, or at least create an atmosphere and a frame for you to be your self. And I'm interested. I don't have an agenda, I don't yell "smile" or haunt you around to get you to act. I just place people in the spot with the best looking light, and then I wait.

I wait for the person to fall into character and relax. And it always works, because being one self is the role we all know best. It's just a bad habit in photography that we seem to be expected to be something, or to be particular happy or smiling.

Now, being one self can be more than just that. What I often see is that a managing director for a large company must act as managing director, because that is the idea of the photo. Yet I want that person to be him self. Somehow it's possible to act as some profession – and be your self at the same time (whereas it's quite difficult to act as a managing director and be forced to smile at the same time). The beautiful contrast is often that the managing director is actually a real person.

The photo on top of the page is of the Danish fashion designer Mette Bjerregaard Nørkjær and is from a series we did an Italian magazine. As most professionals she doesn't see herself as a professional others should look up to, but merely as herself who happen to just do what she can easily do – after all, that is what makes most professionals just that; that they have a natural talent to do something.  So we talked about this and went around at different locations and basically worked on the idea that she should be herself, but be it in a way the readers of that Italian magazine would expect a fashion designer to look. Not try to be somebody else, not trying to be less, not trying to be more. And that is how you do it.

It has a certain beauty to rest in one self, and if the light quality and photographic skills are in place, it's going to work well.

What most portraits fail in is the basic intention – that the photographer is not interested in the actual person; or has his own agenda such as making fun of or creates a tweaked reality by putting emphasis on contrast so even small wrinkles in a face becomes dominant.

Light is another element. If the light is nice, the face looks good. If it's too dark, the shadows are too strong, the colors are tweaked, even "Vogue Face of the Year" will look tired and fat. It's a fact. So the light is first priority and is always the photographer’s responsibility.

But the main thing is actually timing. Like there is a certain moment to capture in a newly wed couple cutting the wedding cake there is a certain moment in which a portrait becomes a portrait.

I'll get into more on portraits in the following weeks. But at least one thing you should have gotten from this, which is:

If it's a bad photo it's not you who's wrong, it's the photographer and his timing.

On the other hand, if it's a great photo, it's just you.

And it's true.

Ole Boskov
International singer-songwriter Ole Boskov at Jazzhus Montmartre in Copenhagen.

- Thorsten Overgaard

    The Thorsten Overgaard Photography Extension Course 2010

A portrait of former PRADA designer Mette Bjerregaard Nørkjær.
(Shot with Leica R9/DMR digital back with 80mm Summilux-R f/1.4, workflow via Imacon FlexColor software)


Also visit:

Overgaard Photography Workshops
Books by Thorsten Overgaard
Street Photography Masterclass Video
Adobe Photoshop Editing Masterclass
Adobe Lightroom Survival Kit
Lightroom Presets by Overgaard
Lightroom Brushes by Overgaard
Capture One Survival Kit

Capture One Styles by Overgaard
Signed Original Prints by Overgaard

Von Overgaard Gallery Store
Ventilated Shades by Overgaaard
Leather Camera Straps
Camea Bags
Leather Writing Pads
Sterling Silver Camera Necklace

Leica Definitions
Leica History
Leica Lens Compendium
Leica Camera Compendium
Leica 21mm Super-Elmar-M ASPH f/3.4
Leica 21mm Super-Angulon f/3.4
Leica 21mm Summilux-M ASPH f/1.4

Leica 28mm Summilux-M ASPH f/1.4
Leica 35mm Summilux-M ASPH f/1.4
Leica 35mm Summicron-M ASPH f/2.0
Leica 35mm APO-Summicron-M f/2.0

Leica 40mm Summicron-C f/2.0
Leica 50mm Noctilux-M ASPH f/0.95
Leica 50mm Summicron-SL f/2.0
Leica 50mm APO-Summicron-M f/2.0
Leica 50mm Summicron-M f/2.0
ELCAN 50mm f/2.0
Leica 50mm Summilux-M ASPH f/1.4
7artisans 50mm f/1.1
Leica 75mm Summilux-M f/1.4
Leica 75mm Noctilux-M ASPH f/1.25
7artisans 75mm f/1.25
Leica 80mm Summilux-R f/1.4
Leica 90mm APO-Summicron-M f/2.0
Leica 90mm Summilux-M f/1.5
Leica 35-70mm Vario-Elmarit-R f/2.8
Leitz Cine lenses
Leica L lenses

Leica M6

Leica M11-P
Leica M11
Leica M11 Monochrom
Leica M10
Leica M10-P

Leica M10-R
Leica M10-D
Leica M10 Monochrom
Leica M9, M9-P and Leica ME
Leica M9 Monochrom
Leica M 240
Leica M 240 for video
Leica M 262
Leica M-D 262

Leica M 246 Monochrom

Leica SL
Leica SL2
Leica SL2-S

Lecia SL3
Panasonic Lumix S1R
Leica R9 dSLR
Leica / Kodak/ Imacon digital back
Leica Q
Leica Q2
Leica Q2 Monochrom
Leica Q3
Leica CL
Leica TL2
Leica Sofort
Leica S medium format
Leica X
Leica D-Lux

Leica C-Lux

Leica V-Lux

Leica Digilux

Leica Digilux 1

Leica Digilux 2
Leica Digilux Zoom

Leica Digilux 4.3

Leica Digilux 3

Light metering
White Balance for More Beauty
Color Meters

Screen Calibration
Which computer to get
Sync'ing photo archive to iPhone
The Story Behind That Picture
"On The Road With von Overgaard"

Von Overgaard Masterclasses:
M11 / M10 / M9 / M240 / Q / Q2 / Q3 / SL2 / SL3 /TL2 /





Overgaard Photo Workshops



Thorsten Overgaard
Thorsten von Overgaard is a Danish-American multiple award-winning photographer, known for his writings about photography and Leica cameras. He travels to more than 25 countries a year, photographing and teaching workshops to photographers. Some photos are available as signed editions via galleries or online. For specific photography needs, contact Thorsten Overgaard via email.

You can follow Thorsten Overgaard at his television channel

Feel free to email to for questions, advice and ideas.


  · Copyright 1996-2024 · Thorsten von Overgaard


© 1996 - 2024 Thorsten Overgaard. All rights reserved.


Web Analytics