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The story behind that picture: "Decisions in Photography"

By: Thorsten Overgaard


Quite a lot in photography has to do with making decisions. From where to shoot, at what time to shoot, which lens to use, which type of light to use. Not to mention the editing phase where you have to decide which photo is the best and what to do with it.

Last week we finished a six-day workshop in Cape Town, South Africa, and with a busy schedule from morning till late night it was evident throughout the workshop that decisions are necessary. If you can't decide, you will never finish.

Ishrath and Bill photographing Olga on the Advanced Workshop in Cape Town

Normally people base decisions on information, and if we can't get the data we're stuck. If we are to buy a new printer or computer we collect data about prices, sizes, speed and all, and we might even go look at reviews so as to see if we missed something. When we are confident, we can decide and act.

In photography the information about right or wrong is not available. There is no guide telling you that if you shoot from that angle it will be better than from this. Most things that matter in photography are based solely on what you think might work.

Model Olga Grbich photographed in Cape Town. Leica M9 with 35mm Summilux-M ASPH f/1.4

But in an age with websites that load the next step to do, announcements over speakers about when the next train is leaving, and automatic cameras that beeps or blinks when you are good to go and press the shutter, having to make decisions without data is quite interesting.

If you wait for an answer in photography, you will work very slow. But if you just make a decision, you will speed up the workflow considerably.

Guy editing photos with the model, wearing his thinking hat ...


Your responsibility in choosing the right photos

You will always take more photos than you need, and even more so in digital photography. But as the photographer it is your responsibility to select the few photos that others will see.

You may think you are doing a model a service by giving her all the images. But you don't. You have the idea, the vision and the final decision, so you select the few ones that are really great. Why should she have 20 of the same photo when one is the best? You risk her using all 20 and that would be less quality than using only one great photo.

Model Olga Grbich photographed in Cape Town. Leica M9 with 35mm Summilux-M ASPH f/1.4. This is the one I seleced amongst 40+ photo of the came location. And I also decided to make it darker and softer than it was. Quite contrary to the photo on top that I decided to make considerably brighter.

Ishrath holding a silk screen so we get really soft light on the model.


Cropping, color or black and white?

When editing and selecting, how much should you change the exposure. How should it be cropped? Perhaps black and white instead of color?

You want to ask somebody what they think, but the problem is that nobody really can know what your vision is and how great it could look if you did it 100%. So the more people you ask, the more ideas you will get. And what you need is a final picture that looks really extraordinary.

When you are done you can collect responses and learn. But the process of deciding is yours solely.



Often what looks good has to do with presentation and who will be seeing something. There is a difference between selecting and finishing photos for Facebook, a magazine, some friends or an exhibition where prints will be hanging on a wall. Some pictures are good for some things, others are good other things. And sometimes the same picture may be cropped or edited different to suit the different types of presentations.

Looking at print with Mike of Orms in his camera store and photo lab in Cape Town. Next year the seminar will include a printing workshop so we can set up a printing workflow and finalize a selection of our photos as prints.

Waiting for the OK to go

In photography, the data you are missing don't exist till you decide. And the photos doesn't exist till you decide to make them. So stop waiting. And mainly, stop waiting for approval of your wish to express yourself through photographs.


The Lightroom Survival Kit


Join Cape Town March 2013

You may already now reserve place in the March 2013 workshop in Cape Town. It will be a six-day workshop from basics over Advanced Workshop, and additionally a Printing Workshop in a very unique lab and printing facility. Send an e-mail for more info or see this link.

Thorsten Overgaard, January 29, 2012


Model shoot in a closed garden with a view to the Table Mountain in Cape Town.




Model Olga Grbich photographed in Cape Town. Leica M9 with 35mm Summilux-M ASPH f/1.4





Also visit:

Overgaard Photography Workshops
Leica Definitions
Leica History
"Photographer For Sale"
Leica Lens Compendium
Leica Camera Compendium
Leica 21mm Super-Elmar-M ASPH f/3.4
Leica 21mm Summilux-M ASPH f/1.4

Leica 28mm Summilux-M ASPH f/1.4
Leica 35mm Summilux-M ASPH f/1.4
Leica 35mm Summicron-M ASPH f/2.0
Leica 50mm Noctilux-M ASPH f/0.95
Leica 50mm APO-Summicron-M f/2.0
Leica 50mm Summicron-M f/2.0
Leica 50mm Summilux-M ASPH f/1.4
Leica 75mm Summilux-M f/1.4
Leica 90mm Summicron-M ASPH f/2.0
Leica 35-70mm Vario-Elmarit-R f/2.8
Leica Digilux 2
Leica Q
Leica M9, M9-P and Leica ME
Leica M Monochrom
Leica M 246 Monochrom

Leica M 240
Leica M 240 Video
Leica X

Leica R with digital back
Leica SL full-frame mirrorless
Leica S medium format dSLR
"On The Road With von Overgaard"
Light metering
White Balance for More Beauty
The Story Behind That Picture



Overgaard Photo Workshops



Thorsten Overgaard
Thorsten von Overgaard is a Danish writer and photographer, specializing in portrait photography and documentary photography, known for writings about photography and as an educator. Some photos are available as signed editions via galleries or online. For specific photography needs, contact Thorsten Overgaard via e-mail.

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