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The Story Behind That Picture - 50
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The story behind that picture: "Creating Illusions"

By: Thorsten Overgaard

 

Being in my mailbox for a few days can be very rewarding, but also some times invalidating. The whole area of photography is open to opinions - which is a good thing - but also means that you can have opposing opinions.

  Oliver by Jeff Rovner
  My son Oliver photographed by Jeff Rovner during our Los Angeles photo seminar July 8-10, 2011
   

For example someone will e-mail me and suggest that I should use a point system to judge pictures when I am judge at I-SHOT-IT. So I should give points for composition based on if the photographer knows the rules for composition.

Well, composition is basically what looks good. The word composition comes from Latin componere, "putting things together" and I remember a famous quote by the musician Frank Zappa about how "putting stuff together" was his thing, "Give me anything and I will put it together so it sounds good. I put stuff together."

So it's basically a talent, and the things that looks good or sounds good or taste good didn't arise from somebody reading the rules and applying them. The rules for composition in photography came about from analyzing what somebody dreamed up and though, "This looks good. I'm going to put this together like this." Then years later somebody spent some years analyzing how come it looked so good.

So there exist no rules, there exist only analysis of what looks cool. And usually those who does the studies and define the rules are usually the ones who are not them self able to just put things together out of the blue.


Hotel hallway, Leica M9 with 50mm Summicron-M f/2.0

Creating illusions

Now, what you do as a photographer is creating illusions. What you photograph is what is, but your contribution is making it into something, in a way so it's actually more aesthetic and beautiful. The tools are composition, aesthetics, light, colors, tones, moods and all.

The Lightroom Survival Kit

Much of this you can add simply by being you, seeing and doing. You don't have to have a master degree or any special equipment though some will let you to believe a Hipstermatic photo made on an iPhone can't be a real photo, or that only working photographers are accepted in the club.  

Being or becoming a photographer itself is an illusion you create. You don't get to be a photographer by acquiring a degree but by photographing pictures.  Presentation of your images is important, because what you present is what your audience sees and what they use to see if you are a photographer. They don't ask to see your papers; they look at your images.


Creating coffee-illusions: Leica M9 with 50mm Summicron-M f/2.0. LaMill Coffee in Silverlake, Los Angeles.

As in creating any illusion such as "I want to be a rock musician" or "I want to be a famous writer" or "I want to be president" you will meet opposition. Because what you are presenting is fantasy, it's an illusion that doesn't fit in with what is already real. A car is real, so people will accept that you have a car. If you have a dream it's a bit more up hill.

Illusions are the fuel of the future, dream on and make your illusions reality. You don't have to ask permission, because who should allow you other than you self?


JFK Airport in New York.


–  Thorsten Overgaard, July 12, 2011

   
   

 

 

 

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Above: My daughter Caroline in the Diner 101 in Los Angeles abou a week ago. Leica M9 and 50mm Summicron-M f/2.0

 

 

 

 



 


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Thorsten Overgaard
Thorsten Overgaard is a Danish feature writer and photographer who contribute stories and unique branding to magazines, newspapers and companies through exclusive and positive stories and photos. He currently photographs for WireImage, Redferns, Getty Images and Associated Press.

Feel free to e-mail to thorsten@overgaard.dk for
advice, ideas or improvements.


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The Borsalino is one of the worlds finest hats, almost as loved as Italian children and almost as respected as Italian mothers:


Me with my new Borsalino!


Tue with the Leica R8 and DMR digital back, the 80mm Summilux-R f/1.4, and the Borsalino!

 

 
           
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